portrait of this blog's author - by Stephen Blackman 2008

Friday, April 19, 2024

One From The Heart | TOM WAITS

Take Me HomeTom Waitsimage





Here a rare mix . . .with Crystal


 






From the Francis Ford Coppola film One From the Heart. It was during this period that Waits met his wife Kathleen Brennan, an employee at the studio where it was recorded

Mix Take Me Home rare studio outtake Tom Waits and Orginal Crystal Gayle

Soundtrack One From The Heart Lyrics: You've got to take me home, you silly girl Put your arms around me You've got to take me home, you silly girl All the world's not round without you Take me home, you silly boy Put your arms around me Take me home, you silly boy All the world's not round without you I'm so sorry that I broke your heart Please don't leave my side Take me home, you silly boy Cause I'm still in love with you I'm so sorry that I broke your heart Please don't leave my side Take me home, you silly girl Cause I'm still in love with you


And with that I will bid you all a Good Night 

BRIAN ENO : BY THIS RIVER (Live) at The Acropolis 2021 | Brian Eno Newsletter



Brian Eno
“BY THIS RIVER (LIVE AT THE ACROPOLIS)” - BRIAN ENO & ROGER ENO
Brian Eno
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“By this River” is a track that originally featured on one of Eno’s early solo albums, “Before and after Science” (1977) on EG Records. A favourite of many fans, the track was written by Eno, Dieter Moebius and Hans – Joachim Rodelius, who were both formerly in Cluster and Harmonia, bands that Eno also collaborated with.

This version was captured live at the Acropolis, and was performed by Brian and Roger Eno, with support from Leo Abrahams, Cecily Eno and Peter Chilvers at their concert as part of the Epidaurus Festival in the Odeon of Herodes Atticus, in Athens on August 4th 2021. Original footage taken from “Brian Eno and Roger Eno: Live at the Acropolis”

Directed by Tilo Krause DOP – Nico Kutzner Editor – Steffen Herrmann Courtesy of Deutsche Grammophon.

Hard To Believe That The “Lovely Linda” McCartney Has Now Been Gone 26 Years : TWO DATES | April 17, 1970, - April 17, 1998.



Two very different dates. One is a story of happiness, and one of sadness. One proves that love can conquer all, and one is of losing that love to sickness and death. In the past I have written many times about coincidences in music history. Here is one of those examples. 


On this day in 1970 former Beatle Paul McCartney would release his first solo album after announcing the break up of The Beatles. What many people didn't know at the time was how difficult this record was for Paul to make, and how if it wasn't for his wife Linda it might've never happened. 28 years later in 1998 this would also be the day that Paul would lose Linda when she would die of breast cancer in Tucson, Arizona. 


In September of 1969 right after releasing the legendary Beatles album "Abbey Road" the band would meet for a meeting where John Lennon would announce that he wanted out of the band. 


Previous months all three members had threatened to quit only to be coached back by Paul. This situation would be different though. Paul knew things were about to get very ugly in the coming months. 


After doing personal audits of the band's financial situation with new manager Allen Klein he became very worried at the way Klein had been handling the band. He had never wanted him in the first place, but was outvoted by the other three Beatles, because Paul wanted his father in law, and the others thought he would favor him. Once he was presented with this information he was told there was only one way out. That was to sue the other three Beatles to bring the partnership with Klein to an end. 


History would prove Paul's suspicions correct, and the other three Beatles would be very thankful years later that he did this. Especially after it was proven that Klein was involved in many illegal activities, and could've eventually owned The Beatles. But as it was happening they were furious with Paul. 


It got so bad that Paul would take Linda and his stepdaughter Heather to his secluded farm in Scotland. This would be a very bad time for him. For one he was broke, because all of his money was tied up in the Beatles’ Corporation Apple. He also felt worthless and would become very depressed. Drinking and getting drunk day after day, going weeks without a bath. Feeling he couldn't make it as a songwriter without the band, especially John. It would finally be Linda who would not only use "tough love" on Paul, but offer him the love and encouragement he would need to start writing again. 


It would be through Linda's encouragement that Paul would begin to make a new record. Using just a 4 track tape machine, he would record most of the record at home, where he would play all of the instruments. When you hear the album you sense that "homemade feel" it has. You hear noises and doors in the background etc. Linda would also provide backing vocals when Paul needed the help. 


This album "McCartney" released in 1970 would kickstart Paul's solo career. And through the album you feel the influence from Linda. Songs like "The Lovely Linda”, “Every Night” and especially “Maybe I'm Amazed" show the inspiration Linda was to Paul during this time.


The next 28 years Linda would always be by Paul's side. She didn't want to be part of his band, but Paul told her he needed her to regain confidence in himself. Even though she would be attacked by critics because of her amateur musical skills she still was there for Paul. 


She was a woman who loved her family, raised her kids to learn the value of a dollar. Giving them all household chores, not allowing them to rely on the privileged lifestyle. They all went to public school. She loved animals, and fought for animal rights. She was an amazing photographer in her own right, even before she met Paul. 


She got to go every place all over the world, and her favorite place ?


It was Tucson, Arizona. 


She had gone to the University Of Arizona as a "Fine Arts Major". That's  where she wanted to spend her last days, watching the sunrise, and sunsets, looking at the mountains, riding her horses. It’s one of the big reasons that Paul mentioned “Tucson, Arizona” in his song “Get Back”. 


It's hard to believe she has already been gone over 26 years. Paul has had to move on, getting remarried, but never has forgotten his "Lovely Linda". 


Paul has always dedicated two of his most popular songs to her "My Love”, and “Maybe I'm Amazed" when he plays them live . Beautiful songs for a beautiful woman inside and out.




DICKEY BETTS : December 12, 1943 – April 18, 2024


Pony BoyDickey Betts I Saw The Light (Live At The Ultrasonic Studios 1974)image

Dickey Betts and the Great American Music Show live at Ultrasonic Studios: 3rd November 1974


Dickey Betts, the singer, songwriter, and guitarist of the Allman Brothers Band whose piercing solos, beloved songs and hell-raising spirit defined the band and Southern rock in general, died Thursday morning at the age of 80.

Alongside brothers Duane and Gregg Allman, bassist Berry Oakley, and drummers Butch Trucks and Jai Johanny “Jaimoe” Johanson, Betts founded the Allman Brothers Band in March 1969. The band created its own sound, one that mixed blues traditions with the grit of rock n’ roll and, when onstage, borrowed from jazz for lengthy improvisations. 

Betts was responsible for writing many of The Allman Brothers Band’s most well-known and commercially successful hits, including “Blue Sky,” “Ramblin’ Man” and the Grammy Award-winning instrumental “Jessica.” Betts composed the aforementioned instrumental jam vehicle “In Memory Of Elizabeth Reed” and “Revival,” plus other ABB favorites like “Southbound.” His contributions were crucial to the band’s success, particularly on subsequent albums like Eat a Peach and Brothers And Sisters. 

Prior to The Allman Brothers Band’s hiatus in 1976, Betts ventured into solo endeavors, releasing his debut solo album Highway Call in 1974. Despite reunions and splits within the ABB, Betts maintained his musical journey with projects like the Dickey Betts Band and Dickey Betts & Great Southern, continuing to captivate audiences with his signature guitar stylings and recognizable vocals. 


Credit: Kirk West/Getty Images



Forrest Richard Betts (December 12, 1943 – April 18, 2024) was an American guitarist, singer, songwriter and composer best known as a founding member of the Allman Brothers Band.

Early in his career, he collaborated with Duane Allman, introducing melodic twin guitar harmony and counterpoint which "rewrote the rules for how two rock guitarists can work together, completely scrapping the traditional rhythm/lead roles to stand toe to toe".[ Following Allman's death in 1971, Betts assumed sole lead guitar duties during the peak of the group's commercial success in the mid-1970s. Betts was the writer and singer on the Allmans' hit single "Ramblin' Man". He also gained renown for composing instrumentals, with one appearing on most of the group's albums, including "In Memory of Elizabeth Reed" and "Jessica" (which was later used as the theme to Top Gear).

The band went through a hiatus in the late 1970s, during which time Betts, like many of the other band members, pursued a solo career and side projects under such names as Great Southern and The Dickey Betts Band. The Allman Brothers reformed in 1979, with Dan Toler taking the second guitar role alongside Betts. In 1982, they broke up a second time, during which time Betts formed the group Betts, Hall, Leavell and Trucks, which lasted until 1984. A third reformation occurred in 1989, with Warren Haynes now joining Betts on guitar.

Betts was ousted from the band in 2000 over a conflict regarding his continued drug and alcohol use; he never played with them again nor would he appear with other former band members for reunions or side projects. With the death of Betts in April 2024, Jaimoe is the last living founder of the Allman Brothers Band.

He was inducted with the band into the Rock and Roll Hall of Fame in 1995 and also won a best rock performance Grammy Award with the band for "Jessica" in 1996. Betts was ranked No. 58 on Rolling Stone's 100 Greatest Guitarists of All Time list in 2003, and No. 61 on the list published in 2011. (Wikipedia)

Dickey Betts Great Southern tribute here at URBANASPIRINES

and here

Dickey Betts at BUTTERBOY



Fly high now Dickey
Heavy Bootz


ALBUMS THAT SHOULD EXIST: Elvis Costello at the Aunty Beeb! 77-80

Elvis Costello - BBC Sessions, Volume 1: 1977-1980

Paul he say: British singer-songwriter Elvis Costello has performed for the BBC many times over his long music career, and nearly all of it is unreleased. I have long wanted to start posting his BBC albums, but there was a problem: many of his early BBC sessions sounded pretty bad. However, I did a little more digging recently, and I discovered that while my versions had poor sound, there were other versions out there that sounded much better. I've fixed this for nearly all of the songs that concerned me, and now I'm ready to post.

Costello burst onto the music scene in 1977 with his classic debut album "My Aim Is True." He followed that with three more classic albums in the next three years. That's the exact time frame for this album of BBC studio sessions. All the songs here are from BBC shows hosted by famous DJ John Peel. The first four are from a 1977 session. The next four are from an early 1978 session. Then there's four from a later 1978 session. The last four are from a 1980 session.

When I first put this album together, I included two songs that were from other TV or radio shows, but not the BBC. However, later on I decided to keep this strictly a BBC thing, so those two songs got the axe. But what the heck, I'm still including them here as bonus tracks. "Hoover Factory" is from a Capitol Radio studio session in 1977, and the acoustic version of "Watching the Detectives" is from a 1977 Swedish TV show.

01 [The Angels Wanna Wear My] Red Shoes (Elvis Costello)
02 Mystery Dance (Elvis Costello)
03 Blame It on Cain (Elvis Costello)
04 Less than Zero (Elvis Costello)
05 Pump It Up (Elvis Costello)
06 [I Don't Want to Go To] Chelsea (Elvis Costello)
07 You Belong to Me (Elvis Costello)
08 The Beat (Elvis Costello)
09 Radio, Radio (Elvis Costello)
10 Stranger in the House (Elvis Costello)
11 I Just Don't Know What to Do with Myself (Elvis Costello)
12 Really Mystified (Elvis Costello)
13 Beaten to the Punch (Elvis Costello)
14 Possession (Elvis Costello)
15 B Movie (Elvis Costello)
16 High Fidelity (Elvis Costello)

Hoover Factory (Elvis Costello) 

Watching the Detectives (Elvis Costello)(Elvis Costello)


check that playlist! Everyone a stone Classic hit! Nary a one a dud . . . .not that he ever wrote one but ya get ma drift! 

Start the Day with this |THE BAND : CHEST FEVER | O MY SOUL

The genius that is Garth Hudson on Big Pink . . . . . . . . 

O My Soul

The Band: Chest Fever


Love the band is this from the first album that made me sit up and take really notice features this magnum from the bearded one!

Thursday, April 18, 2024

QUIZ : But WHO’S on drums?!

 


The George Lewis Ragtime Jazz Band of New Orleans in 1950


No google and no reverse engineering . . . .!!\





[well it’s okay nobody pays any attention to your quizzes anyway! - ED]

More from Rory Gallagher : HOT PRESS Vol III No.23, ‘UNRAVELLING THE RORY STORY’ | Don’s Tunes (Facebook)

Have you encountered many of the old bluesmen in America? Like, as a bonus of playing there have you caught up on any of the legends?

Rory Gallagher: Yeah! For the likes of me it’s a holiday, because I was on the same bill as Freddie King, and John Hammond. On nights off I’ve seen, let’s see, Albert King, Muddy Waters, Juke Boy Bonner — we shared a bill down in Texas. He’s dead now. Albert Collins, Fred McDowell — I saw him in New York before he died. But I’ve seen more of the old acoustic blues fellas at the Folk-Blues Festival in London! I saw Hound Dog Taylor in Chicago in a black club. He called us up to play on stage. I played his guitar. He had it tuned to E minor! A Japanese Star guitar!! Out of Woolworths — the neck was like on a saw, it was so bent! But it was... an experience! 


Since we’re talking about these fellows: you recorded with a number of seminal influences, didn’t you?

Muddy Waters, Albert King and Jerry Lee Lewis were the ones, and a Lonnie Donegan album later. I did most of the Muddy tracks in London, and in fact a second album came out with the out-takes. The Albert King one was live at Montreux, where I was asked to sit in, without rehearsal. It was alright. But the Muddy Waters one was more enjoyable. We did it in three nights in London with Mitch Mitchell, Georgie Fame, all those fellas. But I was doing gigs at the same time, so they had to hold the sessions till I’d fly back from Birmingham or somewhere!! With my Vox and the Strat in the back! It was great because I hit it off well with Muddy on the first night, and they were supposed to start at ten or so, but they’d hold it up; and he’d be sitting there holding a paper cup with a drink in it when I’d come in the door panting! Good for the morale! But I learned from Muddy just tuning his guitar, sitting there with his cigar in his mouth — the whole calm vibe off him. But he could really switch on the menace when he played. Great for a man — he was in his late 50s then. The controlled power! Jerry Lee was a madder thing. That was all in one afternoon, and... Well, Muddy didn’t rehearse, but he’d know the key, and he’d run through the riff, but Jerry Lee would just shout out the key and start! 'Whole Lotta Shakin’ on the album — just... started!! Literally from the key. In the studio he’s worse then he is on stage. Lifting up the piano and all the rest. Bottle of Bourbon in a brown paper bag next to him at the piano. He’s no fake! Good session! Good laugh! 


This article originally appeared in Hot Press Vol.3 No.23, under the headline Unravelling The Rory Story. 

Photo:  NEIL ZLOZOWER


Don's Tunes

more from Aquarium Drunkard this week | ROSALI : BITE DOWN | AQUARIUM DRUNKARD

Now we have mentioned Rosali before and her new album Bite Down but AD have posted this review here  (think it was them I learned about her new Album from anyway! No you didn’t! It was through Alice over at O My Soul! - ED) Have at it anyway! We LOVE IT!


Rosali :: Bite Down

It is still only April, but Rosali’s Merge debut Bite Down already has the makings of classic summer album. Bursting with singalong choruses, big barroom rave-ups and bleary confessions of both love and doubt, this is one that everyone can find a way into.



This from Aquarium Drunkard this week | TELEVISION Live in New York 1992

Television :: Live at the Academy, NYC 12.4.92

Television have two well-known live albums to their name, both taped in 1978 — the classic ROIR release The Blow-Up, which came out in the early 1980s, and the incendiary Live at the Old Waldorf, emerging about 20 years later. Live at the Academyis much more under the radar; originally sold in unassuming CDR format at merch tables in the 2000s, it’s been available only fleetingly since on various streaming services. This year’s Record Store Day, however, sees the performance getting a well-deserved double LP reissue. It’s a necessary addition to Television’s relatively small discography.

Singles bought when they came out | What a Fool Believes - The Doobie Brothers

 Now this is another from the ex-juke box bargain bins that record shops used to have and being thrifty (skint! ask a Brit!) I pursued several around town and in bargain shops . . . . .this song haunted me for the longest time and the voice of MacDonald intrigued me . . . .BUT there is something odd about this it seems to me and that is there is a discordant note in it and it trips me up every time . . . anyone else? We have mentioned this song before but it always strikes me and I would need to know my music theory to note it better and determine what is going on but if you hear it, you hear it! If you don’t well what can I say . . . . . . ?




Wednesday, April 17, 2024

Linda Thompson : PROXY MUSIC










































For Linda who we understand has now pretty much permanently lost her voice and the new album Proxy Music is by her children and friends  . . . . . . . 

Thompson, who Rolling Stone hailed as having "one of rock and roll's fnest
voices," has limited singing capabilities now due to a rare vocal condition. 'Proxy
Music' , however, impressively showcases her songwriting range and prowess.
Tracks like "Darling This Will Never Do," and "Mudlark" hold a timeless quality,
while "Those Damn Roches" and "John Grant" (sung by John Grant himself) boast
very modern sensibilities. 'Proxy Music' contains performances from Linda's longtime friends and admirers as Rufus Wainwright, Martha Wainwright, Eliza Carthy,
The Proclaimers, Dori Freeman, and Grant, along with many talented Thompsons,
including her children Teddy and Kami, and her ex-husband Richard Thompson
playing guitar on several tracks. "Music in my family," Thompson shares. "It's like
glue. It binds us."

Linda on the Web

Damn she was/is pretty!

From happier days . . .

It Won't Be Long


For Linda